Tumbleweed, crickets and other launch day terrors
Back in the heady days of early 2017, when March 24th was months away, I had no nerves at all about my launch day. I was breezily looking forward to a nice relaxed evening, chatting to friends and family, in a place that I love.
Now that launch day is the day after tomorrow, all breeziness is gone and I am a bundle of fears and self-doubt. The following thoughts are on an ever-repeating reel in my head:
- What if only a handful of people turn up? (Cue images of tumbleweed rolling through and the sound of crickets in the background.)
- What if a reasonable number of people turn up but hardly anyone buys the book? (Cue image of stacks of unsold books on the floor of my bedroom forever more.)
- What if lots of people buy the book but hate it and demand their money back? (Image: me crying while handing back bank notes to an angry mob.)
- What if online trolls get wind of the book and flame me on Twitter to the degree that I have to quit social media and become a hermit?
I’ll stop there before the fantasies get even more ludicrous. I’m sure Twitter trolls have better things to be doing with their time than picking on a virtually unknown self-published author. Right?!
To switch back to positive mode, a window display for ‘Mental’ and a poster advertising the launch are currently in situ in the window of The Book Centre, Waterford, where the launch takes place on Friday evening.
To my surprise, I had to set up the display myself. My surprise was not that a self-published author would do their own window display (who else would do it?), but that The Book Centre were willing to let me loose on their window. I have zero experience of doing displays of any kind. Here is the result of my attempt:

‘Mental’ in the window of The Book Centre independent book store, Waterford, Ireland.
Lesson learned: window dressing is a lot more difficult than it looks. Kind friends have assured me that it looks ‘minimalist’ and fitting to the theme of the book (rather than ‘bare’ and ‘bland’ as I (still) suspect).
My next post will be a report on the launch itself. Fingers crossed for no tumbleweed or crickets.
‘Mental’ front cover reveal
One of the most fun tasks in this self-publishing voyage so far has been working with my graphic designer to create a front cover image. And here it finally is:
To say I’m excited to finally release the cover is an understatement. After all, it is the front cover, more than any other part, that we visualise when we plan to publish a book.
To create the cover, I worked with book designer and illustrator Jana Vuković. Jana came recommended by a writer friend who had used her services. Jana and I have never met; in fact, I don’t even know where she lives! We communicate solely by email.
Jana started off the process by asking me for examples of existing book covers that I liked, to give her an idea of the direction we needed to head in. I sent her links to three or four. Then, she got me to complete a questionnaire in order to help me to express exactly what I wanted to achieve with my book cover. I was a bit taken aback by how vague my thoughts had been up to that point! We pinned down the key words, my preferred colours and the most important part of the book to be reflected in the cover image.
The one thing I was specific about from the start was that I wanted the cover to be an illustration, and symbolic rather than depicting an instantly recognisable ‘thing’. I felt this was appropriate for a book that focusses on the mind, thoughts and mental turmoil but also hope and possibility.
I found Jana to be utterly professional and always quick to respond. Her prices are reasonable and her ‘after-sale service’ is great. (Being the rookie that I am, I temporarily forgot that my book needed a back cover! She stepped in at a moment’s notice to provide me with one.)
The current step in my self-publishing process is waiting for the proof copy to arrive from CreateSpace. I may just about explode with excitement to hold an actual physical copy of my book for the very first time! I will post here as soon as it arrives.
Last books of the year
Mother knows best. So too, apparently, does Other Half. This is part of my Christmas book haul:
‘Cowboy Song’ by Graeme Thompson was a gift from my partner and ‘Hilbilly Elegy’ by J.D. Vance was from my mother. I’m halfway through the former. It’s utterly gripping and the cause of the current crop of grey smudges under my eyes (in a good way). ‘Hillbilly Elegy’ – subtitled ‘A Memoir of a Family and Culture in Crisis’ – will be a great, if sobering, read.
Happy new year, everyone.
Mia Gallagher interview, Imagine Arts Festival 2016
Last night, I had the pleasure of meeting and interviewing author Mia Gallagher as part of this year’s Imagine Arts Festival.

Image credit: Kate McCarthy
As I suspected, Mia is a delight. She is an interviewer’s dream: chatty, friendly and open. She has lots to say but isn’t in the slightest overbearing. Despite being an internationally acclaimed writer, she is completely down to earth and generous.
We talked a lot about her latest novel, Beautiful Pictures of the Lost Homeland, as well as about her writing life, her process, and creativity. I loved hearing that at one stage during the writing of BPLH, she sat cross-legged on her floor, surrounded by stacks of paper. That’s such a romantic image of a writer. Much more appealing than sitting bolt upright in front of a computer screen!
The occasion was further enhanced by the venue, St. Patrick’s Gateway Centre in Waterford city. As the image above shows, this former church provides a highly suitable and atmospheric setting for arts events.
My thanks are due to Ollie Breslin, Nora Boland and everyone else on the Imagine organising committee for a perfectly run event, and to the audience members who turned out on a Monday evening.
Beautiful Pictures of the Lost Homeland is available from all the usual book outlets, as is Hellfire, Mia’s first novel.
What are you reading?
I love asking people that question, don’t you? The answer can sometimes give you a glimpse into someone’s inner world. Other times, it’s a glimpse into their everyday life.
This week, I’m reading three books: Roald Dahl’s Collected Short Stories Vol. 2, Mia Gallagher’s Beautiful Pictures of the Lost Homeland (see my previous post) and Lucy Caldwell’s short story collection Multitudes.
I would love to be able to claim that this shows what a wide, eclectic and voracious reader I am. Sadly, what it really means is that I have trouble focusing!
On the positive side, all three books are truly wonderful. I’ll be posting more about them in the near future.
Last week, I finished Distress Signals by Catherine Ryan Howard, a thriller that held my attention from start to finish.
I’ll post a review of that soon, too.
Am I over-committing myself again?
Roald Dahl: one hundred years
Today, it is exactly one hundred years since the birth of Roald Dahl. I have written previously about how much Dahl has meant to me over many years, and why. This year, I was lucky enough to fulfil a childhood dream: to visit Great Missenden, Buckinghamshire, and see for myself where the great man lived and worked.
Great Missenden is a place-name that had become mythical in my mind since the day in 1985 when I received this letter from Dahl, in response to one that I had sent him:

Letter I received from Roald Dahl, 1985
First stop on my visit to Great Missenden was the Roald Dahl Museum and Story Centre. The exhibition there is a delight for the Dahl fan: hundreds of objects large and small have been carefully preserved and put on display in an easy-to-follow and engaging way: household objects, childhood items, books, book paraphernalia and, of course, handwritten letters (some of the nicest are those written by the young Dahl at boarding school to his mother). Murals, signs and multimedia installations greatly enhance the visitor experience.
A specific part of my childhood dream was to see the hut in the garden of his house where Dahl did his writing. This couldn’t be fulfilled to the letter (after all, Dahl’s wife still lives in their house), but I came as close as it is possible to get: the interior of the hut – chair and all – has been re-located to the museum and re-installed exactly as it was. I spent a long time staring through the protective glass (much to the annoyance of other visitors, I’m sure) at the treasures within.

The interior of Dahl’s writing hut in the Roald Dahl Museum and Story Centre, Great Missenden
In the photo above, on the table on the left, you can see several artefacts from Dahl’s life, including his hip bone, which had been surgically removed in a hip replacement operation. This is a lovely hint at the macabre in Dahl’s imagination.
The museum shop is likewise a treasure trove. I bought a print from The Twits, to hang over my and my husband’s bed (it seems apt!).
My favourite Dahl book for many years was Charlie and the Chocolate Factory. I was thrilled to see on display this first edition from 1964:

First edition of Charlie and the Chocolate Factory
Quentin Blake’s illustrations have become synonymous with Dahl’s work for children, so it was interesting to see how another artist (in this case, Joseph Schindelman) interpreted the story.
Lastly, I wandered up Main Street and visited Dahl’s final resting place. My daughter, also an avid fan, came with me. We were both very happy to spend a short time with him there and think about all the happiness he has given to children and adults the world over. I personally sent him thanks for the letter that made a young girl very happy.
As the old Irish saying goes, Ní bheidh a leithéid arís ann (his like will never be seen again).

Dahl’s grave
Mia Gallagher interview, Imagine Arts Festival, October 2016
I’m thrilled to have been asked to interview Mia Gallagher for this year’s Imagine Arts Festival. The event takes place on October 24, 2016, 7:00 PM in St. Patrick’s Gateway Centre, Waterford city. Admission is free but seating is limited so come early.

Author Mia Gallagher
Mia has a new novel called Beautiful Pictures of the Lost Homeland. The Irish Times recently published a review of the book. The reviewer, Sara Baume (herself a ‘new’ Irish author with the amazing Spill Simmer Falter Wither under her belt) describes it as “rich in colour and broad in scope”. I’m just a few pages in but that description is being borne out already.

Mia’s new novel
Mia Gallagher published her first, hugely well received, book, Hellfire, twelve years ago. She says this of her new book: “I didn’t finish my first proper draft until six years after I started, and it’s taken a further five-and-a-half to reach the bookshelves.” (There’s comfort there for many an author fearing that their work may never see the light of day.)
Aside from her writing, I can’t wait to meet Mia herself, based on the friendly tone of her emails and the author photos of her that I’ve seen. Many author photos feature a serious-looking person against a serious background. Mia’s photos are colourful, and show her smiling, laughing and goofing about. She looks like fun.