Today, it is exactly one hundred years since the birth of Roald Dahl. I have written previously about how much Dahl has meant to me over many years, and why. This year, I was lucky enough to fulfil a childhood dream: to visit Great Missenden, Buckinghamshire, and see for myself where the great man lived and worked.
Great Missenden is a place-name that had become mythical in my mind since the day in 1985 when I received this letter from Dahl, in response to one that I had sent him:
First stop on my visit to Great Missenden was the Roald Dahl Museum and Story Centre. The exhibition there is a delight for the Dahl fan: hundreds of objects large and small have been carefully preserved and put on display in an easy-to-follow and engaging way: household objects, childhood items, books, book paraphernalia and, of course, handwritten letters (some of the nicest are those written by the young Dahl at boarding school to his mother). Murals, signs and multimedia installations greatly enhance the visitor experience.
A specific part of my childhood dream was to see the hut in the garden of his house where Dahl did his writing. This couldn’t be fulfilled to the letter (after all, Dahl’s wife still lives in their house), but I came as close as it is possible to get: the interior of the hut – chair and all – has been re-located to the museum and re-installed exactly as it was. I spent a long time staring through the protective glass (much to the annoyance of other visitors, I’m sure) at the treasures within.
In the photo above, on the table on the left, you can see several artefacts from Dahl’s life, including his hip bone, which had been surgically removed in a hip replacement operation. This is a lovely hint at the macabre in Dahl’s imagination.
The museum shop is likewise a treasure trove. I bought a print from The Twits, to hang over my and my husband’s bed (it seems apt!).
My favourite Dahl book for many years was Charlie and the Chocolate Factory. I was thrilled to see on display this first edition from 1964:
Quentin Blake’s illustrations have become synonymous with Dahl’s work for children, so it was interesting to see how another artist (in this case, Joseph Schindelman) interpreted the story.
Lastly, I wandered up Main Street and visited Dahl’s final resting place. My daughter, also an avid fan, came with me. We were both very happy to spend a short time with him there and think about all the happiness he has given to children and adults the world over. I personally sent him thanks for the letter that made a young girl very happy.
As the old Irish saying goes, Ní bheidh a leithéid arís ann (his like will never be seen again).
I’m thrilled to have been asked to interview Mia Gallagher for this year’s Imagine Arts Festival. The event takes place on October 24, 2016, 7:00 PM in St. Patrick’s Gateway Centre, Waterford city. Admission is free but seating is limited so come early.
Mia has a new novel called Beautiful Pictures of the Lost Homeland. The Irish Times recently published a review of the book. The reviewer, Sara Baume (herself a ‘new’ Irish author with the amazing Spill Simmer Falter Wither under her belt) describes it as “rich in colour and broad in scope”. I’m just a few pages in but that description is being borne out already.
Mia Gallagher published her first, hugely well received, book, Hellfire, twelve years ago. She says this of her new book: “I didn’t finish my first proper draft until six years after I started, and it’s taken a further five-and-a-half to reach the bookshelves.” (There’s comfort there for many an author fearing that their work may never see the light of day.)
Aside from her writing, I can’t wait to meet Mia herself, based on the friendly tone of her emails and the author photos of her that I’ve seen. Many author photos feature a serious-looking person against a serious background. Mia’s photos are colourful, and show her smiling, laughing and goofing about. She looks like fun.
This writing business is very much ‘in the head’. Watch a writer working furiously, and you will see him or her sitting at the desk, not moving very much at all – not much change in facial expression, even – and staring intently at screen or page. There will be occasional bursts of work on the keyboard or with the pen. That’s it.
So I take every chance I get to move my work more into the physical world. I got the chance recently when I started to edit a story that I am preparing for publication (more on that soon). Editing on-screen produced a lot of head-scratching but not much else. I somehow couldn’t get my head around where everything fitted together in the story.
Enter our old friend, paper. I printed out the story and got to work with my pen and scissors. I literally cut out the bits I didn’t want and wrote in new material by hand, old school style. Then I stapled the pages together in one long scroll to create the new draft of the story.
The process of editing in this way was a tangible one. It felt good to work with physical objects.
Of course, once I had done all the work I could with pen, scissors and stapler, it was back to the computer to make the changes in electronic form, too.
Back in 2011, I wrote a series of blog posts about how to write a short story. These posts are still some of the most popular on this blog. I’ve decided to revise and re-run them. Note that these posts describe how I went about writing one particular short story; they are not intended as a definitive guide or as the final word. As always, I’d love to hear your comments below.
Days 1 & 2
Physical environment – house sketch
After mulling over various possibilities for the story for a while, I develop a picture of the family at the centre of the story. The family – mother, father, and three or four children – lives in a big, chaotic house in a medium-sized town. The family’s life revolves around their shop. The small grocery shop is integrated into the house in the converted front downstairs room.
Part of the dynamics of the story is that the mother in the family runs several mini-businesses from within the home. The house is always being extended and modified to make room for each new business venture. So the house is always noisy and busy.
I realise that movement and the physical environment – all the family members moving around this big, chaotic, disorganised, confusing house – are key to the story. So I decide to sketch out a plan of the house. I want to be completely familiar with the layout of the house in my own mind, so that the characters’ movements around the house are consistent and flow smoothly.
This is my initial sketch:
At this stage, the characters are still in their infancy in terms of development. Later, I will create detailed character sketches. Before that, I need to create a timeline for the family in the story. This is to ensure that all aspects of time in the story are correct and consistent. For example, to specify the age of each character, I need to know when they were born, and all the family members’ dates of birth have to be consistent with each other.
This is the initial timeline that I drew up:
By this stage (the end of day 2), I have also written a few disconnected paragraphs of the actual story. These are really sketches themselves, rough “practise” drafts to help me get an idea of how the story might look and sound.
The next steps are: fill out the timeline, create detailed character profiles, and identify key scenes. I’ll be moving forward with these tomorrow.
We discussed Oliver Sacks’ wonderful New York Times article on his diagnosis with terminal cancer, Irish rugby star Ronan O’Gara’s recent Late Late Show gaffe, and how to make the perfect cup of tea (according to the British Standards Institute, and they should know, right?).
Live radio has a magic you don’t get in other media. I had a great time chatting with Billy and my co-panellist Esther Doyle.
The nominees for this year’s Hennessy Literary Awards have been announced: Hennessy Nominees Announced & New Home For New Irish Writing. Hearty congratulations to all nominees!
The winners will be announced on February 24th.
The article also reveals exciting news about New Irish Writing: the hugely influential and popular writing page has moved to The Irish Times.
“Bundle of joy” is a hackneyed phrase. Although you are two now, Lochlann, and much too big for baby phrases, I can’t think of any term that suits you better.
In some ways, you are more of a bundle now than ever. The jumbled, cuddly roundness of the word perfectly fits your little, roundy, snuggly body. Much more so than when you were born and you landed on my chest, a squirming, slippery mass of bones and downy skin.
What bliss those first two weeks were: you, your Dad and me. We lived in our bed. Warm, soft and nest-like, it became our habitat. Dad brought coffee, toast and croissants, then hopped in himself. Your little grasping fists and lips sought out my breast without fuss. Exhausted, elated, we slept, ate and breathed each other in.
It was January. Wind and rain bit at your Dad’s ears when he went out to collect the other children from school. You and I needed to have no part of those excursions, Lochlann; we were new, we were exempt.
The fourth child is so blessedly lucky. No books need to be consulted; I waved the public health nurse goodbye with a worldly air. I don’t need your ministrations, the wave said, for I am mother of many.
We did what our hearts and guts told us, Lochlann. You fed at my breast whenever you liked; I carried you around constantly like a gorilla mother; you slept beside me day and night.
And now you are two. A fierce, indignant, roaring, throw-your-head-back-laughing little being whose main challenge in life is to fight off the hail of hugs and kisses that your siblings unleash on you every chance they get. A smile from Lochlann is a treat; a kiss, a triumph.
In the morning, I will go into your room and greet you: wake from your slumber, warrior boy, for today is your birthday.
Have you come across any of the articles about the spaces in which writers do their writing? They were published as a series in The Guardian a few years ago. I must admit to drooling over some of them. Just look at the room where Seamus Heaney did his writing: with its shelves of books, framed photos, little sculptures and the sloped ceiling, it is every inch a writer’s haven. Or the writing room of Michael Morpurgo, unmistakably writerly in a different way, with its ascetic wooden bed and bare walls.
Now to go from the sublime to the ridiculous. This is the space in which I currently write:
A recent bedroom re-assignment in my house has meant that my “office” (half a room, fenced off from the other half, which is a play room) is no longer “mine” but “ours”. In addition, several years’ worth of hoarded items are now temporarily stored here, as there is no safe (i.e. child-proof) space anywhere else in the house.
The bits of wood that you can just about see on the left of the picture belong to the “fence” – complete with lockable gate – that my husband constructed across the middle of the room, to keep the children away from the computers. Yes, we really have a room with a fence running through it. (There is probably some The Field-like metaphor in there, if only I could think of it.)
I can only pass the buck on some of the hoarding; much of it is mine, years of memorabilia from travels, studies and life events. So the Herculean task awaits of sorting, culling, clearing and storing. Yet another task to take away from writing time.
On the plus side, I get great psychological benefit from de-cluttering. I find the process, once started, to be energising, and the results bring me a great sense of calm and order.
A friend has recommended Gretchen Rubin’s book, The Happiness Project, which my friend says is excellent for motivating oneself to have a life-altering de-clutter. I have the book on my Kindle and plan to get stuck into it tonight.
Have you got a work space in your house that is exclusively yours? How do you go about keeping it clutter-free?
Our back garden in the snow. Let’s build a snowman, says my father. The winter light is milky, shot through with a tentative sun.
I am wearing a brown pinafore. Its fabric is thick and scratchy. Do I have gloves? I don’t know. I don’t feel the cold.
The snowman is made before I know it. He is a fine creature, as tall as me. Dad fetches pieces of coal from the coal bunker for his eyes.
We have a grooved metal rubbish bin at our back door. The snowman needs a hat. The bin lid will do the job. It clangs as we lift it.
Years later, my daughters sing songs from the hit Disney film ‘Frozen’. The character of the little snowman who longs for summer brings me back to my own first snowman, his stick arms pointing skywards, his wide-brimmed metal hat shielding his eyes from the sun.
Put up your arms like the snowman, says Dad. Click.
Do I really remember the day itself, or have I retrofitted a memory from the photograph? I am sure I can still hear the metallic ring of the bin lid.
It is 1977. I am just gone three.
Hi everyone and thanks for coming back after the Wait Til I Tell You extended summer break! 🙂
After several weeks of sun and (occasional) relaxation, I’m happy to report that all four children are safely back in school / preschool / childminder and Mom and Dad are back to work with loads of new ideas and plans.
I have been busy on the writing front since we last met. First up early in the summer: I applied for the Ted and Mary O’Regan Bursary. This bursary is awarded every year in my home city, Waterford. It commemorates a former drama teacher of mine, Ted O’Regan, and his wife Mary, who were great patrons and practitioners of the arts in Waterford. Sadly my application was not successful. Onwards and upwards!
While on holiday in August, I managed to escape the family fold for a few precious hours (thanks, dear husband) to make the deadline for the Irish Times short story competition. In keeping with this year’s centenary of the beginning of World War I, the theme of the competition was “This means war”. I interpreted the theme very widely, with a story about a young family struggling to cope with economic reality and how that echoes back to previous generations of their family. I haven’t heard anything from the good folk at the Irish Times, so I’m guessing my entry has gone to the great filing cabinet in the sky. Still, it was great to get a story out and makes me feel like the summer was a productive one.
Now for the substance of today’s post. Starting today, Waterford is host to one of Europe’s biggest new technology conferences, nodeconf.eu. Around 200 of the world’s biggest tech brains are gathered on an island just a stone’s throw from my house. Awesome!
One of the main people behind the organisation and inception of the conference is Cian Ó Maidín. In his latest blog post, which I’m re-blogging below, Cian gives an insight into the personal and family aspects of running a cutting-edge start-up in a small city on the edge of Europe. He dedicates his post to his son, Liam, who died in 2012. We all carry our private griefs and dreams, and Cian writes about his with eloquence and dignity.
Author: Cian Ó Maidín
Node.js is the fastest growing web technology in history, and major technology companies like WalMart, PayPal, Groupon and Netflix utilizing Node.js to be more competitive. Waterford is one of centers of Node.js in Europe, and Waterford is now home to Node Conf Europe, the world’s headline conference on Node.js.
nearForm was founded by two Waterford natives, Cian Ó Maidín and Richard Rodger in 2011, they founded nearForm because they were excited about a new technology called Node.js and wanted to commercialse it. “Having started-up the company we were asked a number of times, how we were going to play a part in the growth of Node.js if we were based in Waterford? All the activity around Node.js was happening in San Francisco and Waterford wasn’t exactly the center of the technology world. We both considered moving out of Waterford to start nearForm, but we decided not to, we have families, wives and good lives here. We were going to stay and make this work” – Cian Ó Maidín
In June of 2012, shortly after we started Ireland’s first meet-up group on Node.js, ironically called NodeJSDublin (www.nodejsdublin.com) (as it’s run in Dublin). Cian Ó Maidín was booking a ticket to go to NodeConf USA which at the time was in Portland Oregon. This was the main conference in the world at the time on Node.js. In a conversation with a colleague one morning: “It’s a bloody long flight to Portland, about 17 hours, it takes major dedication to travel that far for a 2 day conference, Isn’t there a conference in Europe?”
There wasn’t one. I looked at my colleague, his eyes widened.
“We’ve got to do this!!!” I called up Mikeal Rogers, the guy that curates NodeConf USA and asked him if I could do NodeConf in Europe. Mikeal hadn’t met me in person before and said he’d rather I do a localized event, so we settled on NodeDublin(www.nodedublin.com) which we ran in the Guinness Storehouse. We had 12 weeks from idea to conference and managed to get 180 people about from all-over the world to come to Dublin to the event. It was a huge success! We had big names from major technology companies all over the world in Dublin having a great time and enthusiastic to come back again. We didn’t ask for permission, grants or anything to make this happen, we just decided to do it and it was awesome.
During 2012 I had many discussions with my wife Amelia about moving out of Waterford to Dublin or further afield, which would have given me an easier career path. We had many many conversations about this. At the time we were expecting and we also had a one-and-a-half-year-old amazing girl Rita, a nice house and a good life. Tragedy struck about 7 weeks before NodeDublin (www.nodedublin.com) . We were pregnant and found that our child (Liam) was very sick. Liam was born asleep on the 1st of October 2012 about 3 weeks before the conference. We buried him in Ferrybank, Waterford in early October. We were devastated.
During our many conversations about leaving Waterford, Amelia had encouraged me to give Waterford a chance and not to move away, not to beat the place up, to be one of the people that stayed around and built something to stay for. I decided to bring Mikeal Rogers down to Waterford for a visit to Waterford castle a couple of days before the NodeDublin conference. “Let’s look at this place for next year’s conference.” Mikeal was blown away by the venue and massively excited about its’ potential.
In January 2013, Mikeal called me up and asked me if I would take NodeConf Europe and run it. He said that the standard of the conference in Dublin had been so high that he wanted me to take it on. He had asked me to look at various locations in Europe including Madrid, Berlin and London. I said I wasn’t interested; the only place I’d run this conference in was Waterford.
We ran the Europe’s first NodeConf in September 2013, it was amazing. We actually made it into a mystery conference, yes folks didn’t know the conference location, only that it was on an island and there was a castle. Attendees bought a ticket to NodeLand and had to meet us at a hotel in Dublin where we collected them and mystery bussed them to Waterford Castle. A ticket included everything, food, transport, parties, accommodation, drinks, conference talks etc, we even sent them back on buses with packed lunches after the conference. We totally booked out Waterford castle and all the accommodation on the island to create a gated community for 4 days. In each house on the island we assigned attendees to rooms, then we left a selection of locally produced foods (like Blaa’s from M&D Bakery, local cheeses, meats, rashers and sausages, Down’s no.9 whiskey, and Flahavan’s Porridge). This is our chance to show these folks what good hosts we are and the great things Waterford has to offer. www.nodeconf.eu/2013.html
We literally had big-names from the technology world as Island natives for a few days, the folks at PayPal and WalMart know what a Blaa is. The conference talks were amongst the most important in the Node.js world for 2013, and as it turned out NodeConf USA has now evolved into a workshop event so the keynote focus is on Waterford.
NodeConf Europe is now the world’s premier Node.js conference, this is where the major announcements and news in the Node.js world will be happening. For the 2014 conference, we’ve dispensed with the mystery location as the secret is out. Waterford is awesome and the home of Node.js in Europe. We intend to keep it that way. Our Ambition is to cement Waterford onto the technology map of the world.
NodeConf Europe 2014 is happening in Waterford Castle on the 7th – 11th September.
We have big names from PayPal, Netflix, Fidelity, Groupon, IBM, Citi Bank, Condé Nast and many others attending. They will all be going home able to paly hurling by the end of the conference.
nearForm is a growing technology company based in Waterford. nearForm was founded by Cian Ó Maidín and Richard Rodger. The company now has almost 30 staff working across Ireland, Europe and America. To date the company has grown organically and without funding, nearForm has been built through the graft and hard work of Cian and Richard and the special founding team at the company. nearForm are recognized internationally as one of a small number of Node.js experts in the world. nearForm provide training, professional services and products to enterprises using Node.js to build their products.
NodeConf Europe is dedicated to my son Liam, and an event that I hope brings some fortune and notoriety back to Waterford. This is the place I’ll be calling home for as long as I’m around.
– Cian Ó Maidín
For more information on nearForm go to www.nearform.com
For more information on NodeConf Europe go to www.nodeconf.eu