Gestation of a short story #2
Character profiles – mother and father
I spent a good portion of my writing time today developing the characters for the story.
The main character is the third child in the family, a boy, aged eight. The story is told through his eyes, in the third person. The mother and father are the two other significant characters.
I got the character profiles for the mother and father done today. They ended up being longer and a bit less structured than previous profiles I have done, but I got into a good flow and didn’t want to interrupt that! There is a lot of detail in them, which I hope will enhance the characters. The vast majority of the detail will not feature in the story, it is just background information for me to keep in mind and refer to as I write. I certainly feel as if I know these people well now.
Here is an abridged version of the character profile for the mother:
Mary, born 1925 into a large family, several children. Grew up in the countryside outside the town she now lives in. The town seemed remote and exotic. Her parents kept a few cows, grew their own potatoes, did what they could – her own mother kept hens, sold eggs, took in mending, etc. Mary was one of the older children and worked from a young age, cooking, cleaning and minding younger children. She moved into the town aged 16 to work as a domestic in a guest house. Her cleverness and capacity for hard work were quickly noticed and she was soon offered a job as a shop assistant in the town’s largest grocer’s shop. She made lots of friends in the town and settled in quickly to her new life there.
At age 18 she met Tom Loughlin when he came into the shop one day. She fell for his charm and wit. As the only son he was expected to take over his father’s business in due course. Because Tom’s family had means, lack of money did not delay their plans and they married later the same year. Tom’s father helped them buy a house that came up for sale on the main street in the town. Mary is delighted and feels she has truly escaped the hardships of her childhood.
Mary gives up her job in the shop when she marries. There is an expectation that she no longer needs to work and she sees no reason to disagree initially. However after a few months of “keeping house” in her new home, she is bored and starts to think about how to occupy herself. She loves Tom as much as ever but has noticed that his business and management skills are not as keen as hers. His building business ticks over but does not do as well as it could. This annoys her and she also realises that extra money coming into the house would not hurt.
Mary decides to open a tiny grocery shop, operating from the front room in the house. Being an end of terrace house, there is a side door from which the shop can operate without putting in on the household too much. She persuades Tom to give the idea his blessing. She has found her calling: businesswoman. She knows that Tom is a little put out but her ambition and conviction drive her on. She also knows that Tom adores her and despite grumbling, will always support her.
As she settles into motherhood, Mary finds that with help, organisational skills, and her great energy, she can keep running her shop and begins to plan for expansion…
One other thing about the character aspect: I am not too clear at the moment about how I will handle the siblings in the family. It is central to the story that the family be a large one, so I have settled on four children. However, this being a short story, three main characters is pretty much the maximum (unless you are Kevin Barry – his story “Beer Trip to Llandudnow” in New Irish Short Stories has six equally important, perfectly drawn characters – but that is Kevin Barry). So I don’t want the other siblings to be prominent. At the same time, they have to be proper characters and not one-dimensional “devices”.
Timeline version 2
The other thing I did today was expand the timeline. Here it is now:
The timeline needs refining but I am not going to change it again until more of the story is written. Once I see how the characters are developing on the page, I will be able to see more clearly how the time aspect is panning out and revise the timeline as required.
Possible key scenes
I’ve worked out three key scenes so far. Number 1 below will be placed towards the end of the story. Originally I had thought of this scene as the “climax”, but this is too strong a term in a story like this where the action takes place largely in the main character’s head. “Epiphany” is likewise not quite right. It’s too dramatic. What the main character in this story experiences is more of a quiet realisation. So a better term in this case is “turning point”.
This is another key scene and the resulting first draft of a paragraph I have written for it:
It’s dinner time. Bacon and cabbage for the lodgers. Mammy spins between kitchen and dining room, steaming plates held high. He retreats, going right to the back of the house on the top floor, but the smell is everywhere. His parents’ muffled voices float up from the kitchen, in the rising inflections of an argument. There is a moment of silence, then the stomp of angry footsteps. Banging. He follows the noise downstairs, through the door through to the new house. His father stands at the foot of the stairs, one hand at his brow, the other resting on the sledgehammer, a pile of splintered wood at his feet.
He knows to ask his father only specific questions.
“Why are you breaking the stairs, Daddy?”
His father closes his eyes slowly.
“So Mammy can make her cafe.”
- Create a character profile for the main character
- Figure out background characters (siblings) – check creative writing books
- Decide on a title for the story – in a short story, the title is crucial
- Write the opening paragraph